DigiDesign Video Satellite LE Especificações

Consulte online ou descarregue Especificações para Software DigiDesign Video Satellite LE. DigiDesign Video Satellite LE Specifications Manual do Utilizador

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Video Satellite Guide
Version 10.0
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Resumo do Conteúdo

Página 1 - Video Satellite Guide

Video Satellite GuideVersion 10.0

Página 2 - Documentation Feedback

Video Satellite Guide6MXFMXF is a media file format. There are MXF video files and MXF audio files, but there are no “MXF sequences.” An AAF sequence

Página 3 - Contents

Chapter 1: Introduction 7OMFOMF is both a media file and sequence format. OMF media files can be audio or video.Media Composer Support for OMF Media a

Página 4 - Video Satellite Guideiv

Video Satellite Guide8MXF Media Data Locations On the volumes you have designated for media storage, Media Composer stores all MXF media:• When stored

Página 5 - Chapter 1: Introduction

Chapter 1: Introduction 9Frame-Accurate Video Editing and Sample-Accurate Audio EditingMedia Composer and Symphony edit with frame accuracy. This mean

Página 6 - Workflows.”

Video Satellite Guide10System Requirements and CompatibilityVideo Satellite requires the following system components:• Avid-qualified Mac or Windows c

Página 7 - Support for Avid Interplay

Chapter 1: Introduction 11Conventions Used in This GuidePro Tools guides use the following conventions to indicate menu choices and key commands::The

Página 8 - Avid Video Terminology

Video Satellite Guide12

Página 9 - AAF, OMF, and MXF Basics

Chapter 2: Installing Video Satellite 13Chapter 2: Installing Video SatellitePro Tools and a Media Composer or Symphony video satellite are known coll

Página 10 - Video Satellite Guide6

Video Satellite Guide14Installing HardwareThis section describes installation procedures for the following:• Avid video peripheral• Audio monitoring s

Página 11 - Media Data (Media Files)

Chapter 2: Installing Video Satellite 15Connecting Video I/O to the VTRConnecting a VTR to an Avid Video PeripheralIf an Avid video peripheral is conn

Página 12 - Embedded Media and Linked

Legal NoticesThis guide is copyrighted ©2011 by Avid Technology, Inc., (hereafter “Avid”), with all rights reserved. Under copyright laws, this guide

Página 13 - Frame-Accurate Video Editing

Video Satellite Guide16Connecting Video ReferenceIf an Avid video peripheral is connected to the Media Composer or Symphony computer, it must have an

Página 14 - Compatibility

Chapter 2: Installing Video Satellite 17Upgrading from an Earlier Version of Media Composer or SymphonyIf you’re upgrading from an older version of Me

Página 15 - About www.avid.com

Video Satellite Guide18To authorize Media Composer or Symphony automatically using the internet:1 Launch Media Composer or Symphony. The Activation t

Página 16 - Video Satellite Guide12

Chapter 2: Installing Video Satellite 199 Enter your system identification number in the System ID text box.10 Enter your serial number in the Seria

Página 17 - Satellite option:

Video Satellite Guide20To upgrade Media Composer or Symphony manually from a dongle to a software license:1 Make sure your Avid Application Key dongl

Página 18 - Installing Hardware

Chapter 2: Installing Video Satellite 214 Click Continue. The Activation tool confirms your system information. When the activation is complete, a me

Página 19 - Peripheral Present

Video Satellite Guide22Using a LAN connectionUse a LAN for any of the following conditions:• When the video satellite is located in a sep-arate room f

Página 20 - Symphony Software

Chapter 3: Video Satellite Workflows 23Chapter 3: Video Satellite WorkflowsThis chapter describes the following workflows for using Pro Tools with Med

Página 21 - Satellite System

Video Satellite Guide24Playback Settings dialog (see “Changing Video Output Settings for Full-Screen Playback” on page 24), this setting provides full

Página 22 - Video Satellite Guide18

Chapter 3: Video Satellite Workflows 256 Click OK to save your changes.Video Frame Rate vs. Monitor Refresh RateWhen you play back video on a monitor

Página 23

Contents iiiChapter 1. Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Página 24 - Video Satellite Guide20

Video Satellite Guide26Choosing a Storage ConfigurationWhile it is possible to cross-mount both the au-dio and video storage on both systems at the sa

Página 25 - Satellite Systems

Chapter 3: Video Satellite Workflows 27Sharing Windows Media Storage for Mounting on a Remote ComputerYou can share a Windows volume for mounting on M

Página 26 - Connecting Media Composer

Video Satellite Guide28Cross-Mounting Shared Media Storage on a Remote SystemThis section describes how to cross-mount a shared volume on a remote sys

Página 27 - Settings

Chapter 3: Video Satellite Workflows 29Cross-Mounting Mac OS X or Windows Media Storage in WindowsYou can mount another computer’s shared vol-ume on a

Página 28 - Settings dialog

Video Satellite Guide30Opening an Avid Sequence from a Volume Supporting Direct PlaybackThis section describes how to open a sequence that is currentl

Página 29 - Storage on Remote Systems

Chapter 3: Video Satellite Workflows 315 In the Export As dialog, click Options.6 In the Export Settings dialog, do the following: • Make sure the E

Página 30 - Mounting on a Remote System

Video Satellite Guide32Opening an Avid Sequence with Pro Tools Connected to Avid Shared Storage but Not StreamingThis section describes how to open a

Página 31 - OK to share this volume

Chapter 3: Video Satellite Workflows 339 Click Save.10 In the Export As dialog, locate any folder on the Avid shared storage workspace that is acces

Página 32 - Storage on a Remote System

Video Satellite Guide34Copying the Avid Sequence to the Satellite Video StorageTo copy an Avid sequence and its referenced video to the video storage

Página 33 - Opening Sequences for

Chapter 3: Video Satellite Workflows 35Exporting an Avid Sequence as an AAF Sequence with Audio Storage Mounted on the SatelliteThis section describes

Página 34 - Direct Playback

Video Satellite GuideivCapturing Audio and Video with a Video Satellite System . . . . . . . . . . . . . . . . . . . . . . . . . . 50Re-Digitizing an

Página 35 - Export As dialog

Video Satellite Guide3610 In the Media Destination section, do the fol-lowing:• Select Folder from the Audio pop-up menu.– and –• Select the Use Same

Página 36 - Streaming

Chapter 3: Video Satellite Workflows 37Exporting an Avid Sequence as an AAF Sequence with Video Storage Mounted on the Pro Tools SystemThis section de

Página 37

Video Satellite Guide3813 Do one of the following:• If you have not opened a session in Pro Tools, navigate to the AAF sequence in the Workspace brow

Página 38 - Copying the Avid Sequence to

Chapter 3: Video Satellite Workflows 39Opening an AAF Sequence for Playback on a Video Satellite SystemYou can open an AAF sequence for playback on a

Página 39 - Satellite

Video Satellite Guide402 Refresh the media database by doing one of the following:•Launch MediaComposer. – or –•Choose File > Refresh Media Direct

Página 40 - Video Satellite Guide36

Chapter 3: Video Satellite Workflows 41Importing an AAF Sequence from a Volume that Cannot Be Mounted on Pro ToolsThis section describes how to import

Página 41 - Pro Tools System

Video Satellite Guide422 In Media Composer, go to the Project window and choose Settings > Video Satellite. Ensure that Video Satellite Mode is en

Página 42 - AAF Sequences

Chapter 3: Video Satellite Workflows 43Matching the Media Composer or Symphony Project Type to Pro Tools Timecode Rate, Clock Reference, and Video Ref

Página 43 - Opening an AAF Sequence

Video Satellite Guide44Compatibility TableThe following table describes compatibility between Avid Project Format and Edit Play Rate, and Pro Tools Ti

Página 44 - Supporting Direct Playback

Chapter 3: Video Satellite Workflows 45*Although Media Composer standalone supports locking the video peripheral to black burst or tri-level sync at t

Página 45 - Video Satellite

Chapter 1: Introduction 1Chapter 1: IntroductionVideo Satellite is a powerful post-production option for Pro Tools®, employing a separate computer run

Página 46 - Video Satellite System

Video Satellite Guide46Matching Timecode Format (Drop Frame or Non-Drop Frame)Pro Tools and Media Composer must be set to the same timecode format (ei

Página 47 - Setup > Session

Chapter 3: Video Satellite Workflows 47Matching Media Composer Starting TC Timecode Setting and Pro Tools Session StartIn almost all cases, the first

Página 48 - Compatibility Table

Video Satellite Guide48Compensating for Different Sequence Start Times in Pro Tools and a Video SatelliteYou can compensate for any offsets that might

Página 49

Chapter 3: Video Satellite Workflows 49Link ControlsWhen a Pro Tools system is configured as an ad-ministrator, the following controls can be shown in

Página 50 - Matching Timecode Format

Video Satellite Guide50Controlling Linking with a Control SurfaceTo toggle the link button on the Pro Tools system (ICON and C|24): Press Control + t

Página 51 - Starting TC Timecode Setting

Chapter 3: Video Satellite Workflows 51Capturing Audio and Video CaveatsThe following caveats apply to capturing audio and video with a video satellit

Página 52 - Pro Tools and a Video

Video Satellite Guide524 Use the Mark In control to set an In point on the Timeline at which you want to begin captur-ing.You are now ready to config

Página 53 - Link Controls

Chapter 3: Video Satellite Workflows 534 In the Default Starting TC field, do one of the following to set the default start time for a new sequence:•

Página 54 - Capturing Audio and Video

Video Satellite Guide545 Below the Record button, click the record en-able buttons for the video and timecode inputs. (V is for video and TC is the t

Página 55 - Configuring Pro Tools and a

Chapter 3: Video Satellite Workflows 5514 Do one of the following:• Select one of the displayed tape names and click OK.– or –•Click New to add a new

Página 56 - Video Satellite Guide52

Video Satellite Guide2Playback to an External NTSC or PAL Video Monitor(Avid Nitris DX, Mojo DX, or Mojo SDI Only)Media Composer requires an Avid vide

Página 57 - Configuring the Capture Tool

Video Satellite Guide56The flashing red light indicates recording is in progress.4 Click the Record button again (or press the ESC key) to stop.Selec

Página 58 - Auto-Configure

Chapter 3: Video Satellite Workflows 574 You are now ready to begin capturing, as de-scribed in “Capturing Audio and Video” on page 55. When you begi

Página 59

Video Satellite Guide58To record audio and video to tape from Media Composer and Pro Tools simultaneously:1 Make sure that your system is set up as f

Página 60 - Mark In and Mark Out controls

Chapter 3: Video Satellite Workflows 5911 Select the Stop on Dropped Frames option if you want Media Composer to automatically stop the tape if the a

Página 61 - Laying Back Audio and Video

Video Satellite Guide60Exporting Audio and Video as a Digital Movie from a Video SatelliteIf you have audio and video media with a video satellite sys

Página 62 - Digital Cut Tool

Index 61Numerics1080 videorequirements for playback 2AAAF sequencesdefinition of 6export settings for 38exporting from Media Composer or Symphony (sat

Página 63 - Selected Source tracks

Video Satellite Guide62w/audio drive mounted on satellite 35w/video drive mounted on Pro Tools 37opening on a satellite system 30from a non-play volum

Página 64 - Exporting Audio and Video as

Index 63Ddefault start timesetting for new Avid sequences 47definitionAAF sequences 6Avid sequence 4bins 4client monitor 5clips 4connecting (Pro Tools

Página 65 - Numerics

Video Satellite Guide64GGeneral Settings dialog 47Hhardwaresupported hardware 10IimportingAAF sequence into Media Composer or Symphony (satellite)from

Página 66 - Video Satellite Guide62

Index 65Timeline 5troubleshooting satellite connections 41video quality settings 23video satellite (see video satellite system)media datadefinition of

Página 67 - Index 63

Chapter 1: Introduction 3Supported Video ResolutionsMedia Composer and Symphony Video Satellite supports the import, capture, and playback of a wide r

Página 68 - Video Satellite Guide64

Video Satellite Guide66to a satellite (via satellite link) 41cross-mounting (reasons for) 25Drop Frame setting 42importing an AAF sequence (satellite)

Página 69 - Index 65

Index 67definition of 4supportAAF sequences 6Avid Interplay 3Avid Mojo 10Avid Mojo DX 10Avid Mojo SDI 10Avid Nitris DX 10Avid video peripherals 10MXF

Página 70 - Video Satellite Guide66

Video Satellite Guide68linking Pro Tools and a video satellite 48making Ethernet connections for 21matching Pro Tools to satellite settings 42monitori

Página 71 - Index 67

Avid2001 Junipero Serra Boulevard Daly City, CA 94014-3886 USATechnical Support (USA)Visit the Online Support Center at www.avid.com/supportProduct In

Página 72 - Video Satellite Guide68

Video Satellite Guide4Support for Avid ISIS 7000, ISIS 5000, and MediaNetwork Storage SystemsAvid ISIS® and Unity MediaNetwork are high-speed network

Página 73 - Product Information

Chapter 1: Introduction 5In one project, you could create a new bin to hold all of your video clips and a bin to hold your sound effects, and a bin fo

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